Writing The Content
Just as a builder would hesitate to erect a property without a carefully worked-out plan, so an author should be loath to begin articles before he has outlined it fully. In organising a building, an architect considers the size of a house his client desires, what number of rooms he must provide, how the space available may best be apportioned one of several rooms, and what relation the rooms will be to bear to one another. In outlining articles, likewise, a writer needs to see how long it must be, what material it will include, how much space really should be devoted to each part, and how the parts should be arranged. Time spent in thus planning an article is time well spent.
Outlining the subject fully involves thinking out your article from beginning to end. The value of each item of the material gathered must be carefully weighed; its relation to the whole subject and to every part must be considered. The arrangement with the parts is of even bigger importance, because much of the potency of the presentation will depend upon could possibly development of the thought. In the last analysis, good writing means clear thinking, as well as no stage in the preparation of your article is clear thinking more necessary than in the planning of it.
Amateurs sometimes insist that it is easier to write without an outline compared to one. It undoubtedly takes less time to dash off an exclusive feature story than it does to think out all of the details and after that write it. In nine cases from ten, however, when a writer tries to work out an article as he goes along, trusting that his ideas will arrange themselves, it feels right far from a clear, logical, well-organized presentation of his subject.
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